(Greek: 2nd centruy BC, marble, Louvre, Paris)
Ok, reader peeps, this week we are going to diverge a little from our normal routine here at "The Merry Scribe."
That means we are going to cut the comedy.
Now before you throw your laptop out the nearest window, please allow Dr. Merry to prescribe some necessary medicine for you.
As we all know, there is more to life than just the funny stuff.
Can I be honest here?
If the powers that be had appointed me CEO over this planet, there would be nothing but funny stuff.
And that's exactly why I am not the CEO over anything - including the lint in my dryer.
The lint let's me think I'm it's daily slayer.
But both of us know the disgusting truth.
Besides, I'm doing this for your own good.
It is not right that people should laugh all the time.
Sometimes we must refine ourselves - ouch! - and actually learn something.
I promise - it will only hurt for a little while.
Before you know it, your artsy-fartsy boo-boo will be all better.
And your funny bone will be back in business before you can say "Bob Heiney."
So................without further adieu please allow me to inaugurate Docent Day here at "The Merry Scribe."
And just in case you are wondering - it wasn't that many years ago that I was wondering - a docent is an art educator.
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The Winged Victory of Samothrace (Nike) is my favorite sculpture of all time.
Well, for starters, she exudes feminine power.
Her body is well built and strong.
I love the fact that she no longer possesses her head.
Maybe she would be deemed beautiful if she had one.
Or maybe not.
In any case, the point is moot.
Because she is headless, we are never distracted by the potential beauty of her face.
Instead, we are drawn to the power of a woman nearly in flight.
She is armless.
We are now free to concentrate on the strength of her steadfast legs.
Nike's flat chest does not draw attention.
And here is the real shocker:
She is clothed.
Her gowned body has not been objectified by today's in-your-face nudity.
This frees the viewer to contemplate Nike's actions - not her sexual possibilities.
Her robes flutter in the wind.
Indeed, they trail behind her as the air lifts them in the breeze.
Nike's magnificent wings are bent inward in the act of flight.
Her body is thrust forward directly into the wind.
What adventure is she running toward?
She appears fearless as she moves through the air.
There is a spirit of reckless abandon about her.
Whatever task awaits her, she is surely ready and willing to accept it.
Everything about this sculpture portrays the beauty of a woman in dedicated movement.
Nike resides at the head of the Grand Staircase II in the Louvre.
She stands alone.
In reality, who or what could compete with her?
She is surrounded by prominent stairways, massive stone arches and beautiful leaded ceiling windows.
This is, indeed, a fitting backdrop for such commanding art.
I adore this woman of ancient days.
Timeless, she steps purposefully into the world, modeling power and strength for her sisters as they pursue their own sacred dreams.